May 17, 2023: Uncut: Susanna Hoffs – My Life in Music
THE ROLLING STONES
Let It Bleed
DECCA, 1969
I’ll try to remember how I got past The Beatles to the Stones…! I was kind of a late bloomer, quite shy. But during the summer between graduating high school and before I went to university, I had my first romantic experience, with a guitar player who was really into the Stones. I was so much into The Beatles that it was an awakening, because the Stones are a little messier and a little more off the rails. George Martin’s production is so crafted, he was the consummate arranger, whereas with the Stones you feel like you’re in the studio with them. And I love those differences in record-making.
THE ROLLING STONES
Let It Bleed
DECCA, 1969
I’ll try to remember how I got past The Beatles to the Stones…! I was kind of a late bloomer, quite shy. But during the summer between graduating high school and before I went to university, I had my first romantic experience, with a guitar player who was really into the Stones. I was so much into The Beatles that it was an awakening, because the Stones are a little messier and a little more off the rails. George Martin’s production is so crafted, he was the consummate arranger, whereas with the Stones you feel like you’re in the studio with them. And I love those differences in record-making.
Dec 19, 2022: USA Today: Shirley Watts, widow of Rolling Stones drummer Charlie Watts, dies at 84
Shirley Ann Watts, a former art student and prominent breeder of Arabian horses who met drummer Charlie Watts well before he joined The Rolling Stones and with him formed one of rock's most enduring marriages, has died. She was 84.
Shirley Ann Watts, a former art student and prominent breeder of Arabian horses who met drummer Charlie Watts well before he joined The Rolling Stones and with him formed one of rock's most enduring marriages, has died. She was 84.
Dec 14, 2022: UDiscoverMusic: ‘Jumpin’ Jack Flash’: The Story Behind The Rolling Stones Song
Sessions for “Jumpin’ Jack Flash” began in April with Miller at Olympic Sound Studios in Barnes. “It was recorded in the most peculiar way,” Jagger recalled. “We recorded Keith and Charlie Watts on a cassette, then put the cassette on a multi-track to get the distortion.”
Sessions for “Jumpin’ Jack Flash” began in April with Miller at Olympic Sound Studios in Barnes. “It was recorded in the most peculiar way,” Jagger recalled. “We recorded Keith and Charlie Watts on a cassette, then put the cassette on a multi-track to get the distortion.”
Sept 9, 2022: People: Mick Jagger and Girlfriend Melanie Hamrick Celebrate Son Deveraux's 6th Birthday with Sweet Photo
Jagger, 79, and Hamrick, 35, celebrated the 6-year-old's birthday on Thursday with a festive cake and party hats.
Jagger, 79, and Hamrick, 35, celebrated the 6-year-old's birthday on Thursday with a festive cake and party hats.
Nov 28, 2022; UDiscover: ‘Wild Horses’: The Story Behind The Rolling Stones Song
A song of loss that arrived as their 60s dream shattered, ‘Wild Horses’ is the Rolling Stones at their most heartrending.
A song of loss that arrived as their 60s dream shattered, ‘Wild Horses’ is the Rolling Stones at their most heartrending.
|
Mar 18, 2014: The Rolling Stones have canceled the remainder of their Australian and New Zealand tour dates following the death of fashion designer L'Wren Scott. Scott - the long-time girlfriend of frontman Mick Jagger - was found hanged in her 11th Avenue apartment on Monday morning (March 17). (SOURCE: Digital Spy: "Rolling Stones cancel Australian tour following death of L'Wren Scott")
Sept 23, 2013: VVN: Previously Unseen Beatles and Rolling Stones Photos to Be Displayed at Royal Albert Hall
On September 15th 1963, The Beatles and The Rolling Stones performed at one of the most momentous concerts in pop history at the Royal Albert Hall, the first of only two occasions when they appeared on the same bill. 2013 marks the 50th Anniversary of 'The Great Pop Prom' which will be celebrated in a special exhibition at the Royal Albert. Dec 10, 2012: Oregon Live: Rolling Stones prove they're still in fine form with Brooklyn anniversary gig
It sure didn't feel like a farewell.The Rolling Stones — average age 68-plus, if you're counting — were in rollicking form as they rocked the Barclays Center in Brooklyn for 2½ hours Saturday night, their first U.S. show on a mini-tour marking a mind-boggling 50 years as a rock band. 12.17,12
Those superstars and other top acts including the Black Keys and John Mayer jammed with the Stones on Saturday night, winding down a series of concerts celebrating the 50th year of rock's most enduring band (the occasion was also marked by a pay-per-view special). The Boss rocked out with the band on out "Tumbling Dice"; Gaga matched Mick Jagger shimmy-for-shimmy on "Gimme Shelter"; the Black Keys joined on "Who Do You Love," and John Mayer and Gary Clark Jr. showed their considerable guitar chops alongside Keith Richards and Ronnie Wood on "Goin' Down." But the Stones would not be upstaged. While the sold-out crowd roared with each special guest, it was the aging but dynamic foursome that generated the most excitement of the night, as they put new energy into their decades-old catalog of hits, including "It's Only Rock `N Roll (But I Like It)," "Start Me Up," "Brown Sugar," "Sympathy for the Devil" and more. The band took a moment to acknowledge the shooting deaths of 20 children and six adults at an elementary school Friday in Newtown, Conn. "We just wanted to send our love and condolences to all the people who lost loved ones in the tragedy in Connecticut," Jagger early on in the concert as the audience applauded. Jagger noted the entire world was feeling the pain of the stunned nation. (SOURCE: Fox News )
12.12.12
A batch of love letters written by Mick Jagger to a 1960s muse have sold at auction for 187,250 pounds ($301,472). Sotheby's says a private collector bidding by phone on Wednesday snapped up the Rolling Stones frontman's 10 letters to singer Marsha Hunt. Hunt is an American-born singer who was the inspiration for the Stones' 1971 hit "Brown Sugar" and bore Jagger's first child. The letters, touching on everything from the moon landing to John Lennon and Yoko Ono, were written in 1969 from the Australian set of Jagger's film "Ned Kelly." They had been expected to fetch between 70,000 pounds and 100,000 pounds ($113,000 and $161,000). Sotheby's books specialist Gabriel Heaton said the letters reveal "a poetic and self-aware 25-year-old with wide-ranging intellectual and artistic interests." (SOURCE: Deleware County Daily Times )
12.10.12
The Rolling Stones — average age 68-plus, if you're counting — were in rollicking form as they rocked the Barclays Center in Brooklyn for 2½ hours Saturday night, their first U.S. show on a mini-tour marking a mind-boggling 50 years as a rock band.And although every time the Stones tour, the inevitable questions arise, — whether it's "The Last Time," to quote one of their songs — there was no sign that anything is ending anytime soon. "People say, why do you keep doing this?" mused 69-year-old Mick Jagger, the band's impossibly energetic frontman, before launching into "Brown Sugar." ''Why do you keep touring, coming back? The answer is, you're the reason we're doing this. Thank you for buying our records and coming to our shows for the last 50 years." (SOURCE: Oregon Live )
|
12.08.12
On Saturday, Mick Jagger, Keith Richards, Ronnie Wood and Charlie Watts hit New York for the first of three U.S. shows on their "50 and Counting" mini-tour, marking a mind-boggling half-century since the band first began playing its unique brand of blues-tinged rock. And the three shows -- Saturday's at the new Barclays Center in Brooklyn, then two in Newark, N.J., on Dec. 13 and 15 -- aren't the only big dates on the agenda. Next week the Stones join a veritable who's who of British rock royalty and U.S. superstars at the blockbuster 12-12-12 Sandy benefit concert at Madison Square Garden. Also scheduled to perform: Paul McCartney, the Who, Eric Clapton, Bruce Springsteen & The E Street Band, Alicia Keys, Kanye West, Eddie Vedder, Billy Joel, Roger Waters and Chris Martin. The Stones' three U.S. shows promise to have their own special guests, too. Mary J. Blige will be at the Brooklyn gig, as well as guitarist Gary Clark Jr., the band has announced. (Blige performed a searing "Gimme Shelter" with frontman Jagger in London.) Rumors are swirling of huge names at the Dec. 15 show, which also will be on pay-per-view. In a flurry of anniversary activity, the band also released a hits compilation last month with two new songs, "Doom and Gloom" and "One More Shot," and HBO premiered a new documentary on their formative years, "Crossfire Hurricane." (SOURCE: MSN )
03.15.12
One tour that won’t be hitting America — or anywhere else for that matter — is the Rolling Stones’ 50th anniversary jaunt, which has been the subject of endless speculation for the past year plus. Band figureheads Mick Jagger and Keith Richards confirmed to Rolling Stone magazine, in separate interviews, that it’s not happening — at least not this year. “Basically, we’re just not ready,” Richards said, adding that a tour next year was “more realistic.” (SOURCE: Delaware County Daily Times )
Oct 4, 2011: Goldmine: Gallagher reissues give taste of blues and rock with metal
And as for Rory gifting his prospective employers with the riff to “Start Me Up” … well, that’s the tradition in the Gallagher household, and it wouldn’t be the first time Mick and Keef played magpies with other people’s music. It took The Stones six years to release it, of course, but it took Rory that long to record “Out on the Western Plain” — the “Against The Grain” highlight was a Leadbelly rebuild that had been around (in lyrically different form) since the Taste days.
And as for Rory gifting his prospective employers with the riff to “Start Me Up” … well, that’s the tradition in the Gallagher household, and it wouldn’t be the first time Mick and Keef played magpies with other people’s music. It took The Stones six years to release it, of course, but it took Rory that long to record “Out on the Western Plain” — the “Against The Grain” highlight was a Leadbelly rebuild that had been around (in lyrically different form) since the Taste days.
""You Can't Always Get What You Want" was on their 1969 album Let It Bleed. Written by Mick Jagger and Keith Richards. "You Can't Always Get What You Want" was recorded on 16 and 17 November 1968 at Olympic Sound Studios in London. It features the London Bach Choir opening the song [the choir opening is only on the album version], highlighting throughout, and bringing it to its conclusion. Jimmy Miller, the Stones' producer at the time, plays drums on this song instead of Charlie Watts. Al Kooper plays piano and organ, as well as the French horn intro, while Rocky Dijon plays congas and maracas. Of the song, Jagger said: "'You Can't Always Get What You Want' was something I just played on the acoustic guitar—one of those bedroom songs. It proved to be quite difficult to record because Charlie couldn't play the groove and so Jimmy Miller had to play the drums. I'd also had this idea of having a choir, probably a gospel choir, on the track, but there wasn't one around at that point. Jack Nitzsche, or somebody, said that we could get the London Bach Choir and we said, 'That will be a laugh.'"
In his review of the song, Richie Unterberger of Allmusic said: "If you buy John Lennon's observation that the Rolling Stones were apt to copy the Beatles' innovations within a few months or so, 'You Can't Always Get What You Want' is the Rolling Stones' counterpart to 'Hey Jude'." Jagger said in 1969, "I liked the way the Beatles did that with 'Hey Jude'. The orchestra was not just to cover everything up—it was something extra. We may do something like that on the next album."
In his review of the song, Richie Unterberger of Allmusic said: "If you buy John Lennon's observation that the Rolling Stones were apt to copy the Beatles' innovations within a few months or so, 'You Can't Always Get What You Want' is the Rolling Stones' counterpart to 'Hey Jude'." Jagger said in 1969, "I liked the way the Beatles did that with 'Hey Jude'. The orchestra was not just to cover everything up—it was something extra. We may do something like that on the next album."